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John
Jensen
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A new CD by jazz trombonist John Jensen is cause
for celebration. If you're not hip to this D.C. brass man, you can catch
up quick by checking out his previous disc "Homecoming," which
showed how a modern, mainstream trombonist can swing with feeling, taste
and wit. Like his past efforts as leader and sideman, this new collection
of standards and originals displays Jensen's mighty sound with the fluid
technical facilitythat makes him one of the most highly regarded and sought
after trombonists in the nation's capital.
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Photo - Michael Stewart
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It's reassuring that Jensen has once
again surrounded himself with compatible colleagues, giving this session
the feeling of long-time musical friends playing after hours for pleasure.
Jensen, guitarist Steve Abshire, and drummer Mike Shepherd have spent
years working together in big bands, small combos and studio dates. Along
with bassist Dave Wundrow, pianist Robert Redd and saxophonist Bruce Swaim,
everybody in the group has rubbed elbows with the greats and their collective
professional credits include sharing the stage with Sarah Vaughan, Benny
Carter, Joe Williams, Dizzy Gillespie, Stan Getz, Urbie Green, Milt Hinton,
Maynard
Ferguson, Tal Farlow, Joe Williams, Herb Ellis and many others.
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The musical
kicks begin with an unlikely source-a rendition of Franz Lehar's popular
art song Yours Is My Heart Alone from his 1929 operetta The Land of Smiles.
Jensen, Swaim and Abshire eat up the challenging changes as the arrangement
shifts between a brisk 6/8 jazz-latin and straight 4/4 time. Jensen and
guitarist Steve Abshire are then featured on their original Shifting Views,
a 12-bar blues eminiscent of the Sam Jones classic Unit 7. Listen for the
clever key change at the beginning of each solo, and the way that Abshire
and Jensen telepathically finish each other's phrases. Their daring, unaccompanied
contrapuntal conversation is one of the highlights of this date. The leader's
distinctive tone and vibrato are showcased on the two ballads: drummer Mike
Shepherd's lovely, bittersweet Seasons of the Soul, and the tough and tender
arrangement of Billy Strayhorn's harmonically sumptuous A Flower Is A Lovesome
Thing. Other
stand-out moments include the trombonist's up-on-the-tightrope duet with
bassist Wundrow on Duke Jordan's Jordu, the breezy bossa arrangement of
the 1940's ballad At Last, Jensen's muted cry on the catchy Jonathan and
the Dinosaurs, his use of the double bell euphonium and the surprising extra
measures in the melody of Oscar Pettiford's Tricotism, and the waltz treatment
of Hoagy Carmichael's undeservedly obscure gem One Morning In May. The penultimate
tune, Natalie's Bounce, is another barnburner: I'm not sure who Natalie
is, but I'm guessing she's one swinging Hoosier. If you want to delve a
little further into the mind of Jensen, check all the
stream-of-consciousness musical quotes in his trombone solos. I won't spoil
your fun, but try to find exactly where and in which tunes he creatively
inserts quotes from Opus One, Idaho, It Might As Well Be Spring, and the
amusingly self-deprecating If I Only Had A Brain.
You can tell this was a fun date for the musicians. We can all look forward
to celebrating their next get together.
Larry Appelbaum
WPFW-FM
JazzTimes |
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Yours is My Heart
Alone * Shifting Views *
A Flower is a Lovesome
Thing * At Last *
Tricotism * Sidewalks of New York *
Jonathan and the Dinosaurs * One Morning in May *
Jordu * Natalie's Bounce * Seasons of the Soul
John Jensen - Trombone,
Double Bell Euphonium| on
"Tricotism"
Bruce Swaim - Tenor Saxophone Robert
Redd - Piano
Dave Wundrow - Bass Mike Shepherd - Druns
Nerol Nesnej - Piano on :"Jonathan and the Dinosaurs"
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Also Available:
That Old Feeling *
Polka Dots and Moonbeams
Exactly Like You * But Not For Me
In A Sentimental Mood * Time After Time * Alone Together
Blues Among Friends * I Thought About You
Nobody Else But Me * You Don't Know What Love Is
John Jensen - Trombone
Hod O'Brien, piano
Steve Gilmore - Bass Steve
Abshire - Guitar
Brooks Tegler - Drums Seguito
Turner - Percussion
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